Rather than phrase strategies for sustainable production, dissemination, and consumption, I’ll approach my visual practice to form a sustainable (post)human becoming.

Let me lead with a disclaimer dressed as a paradox; I will use this essay to both scratch the surface and dive into the deep end of the pool. I’ll make a novice attempt at using the concept of non-human agencies (Callon, 2012) to critically analyze and provide insight to my own photographic practice as well as photographic and artistic affinities of mine.